Monday, February 6 at 7 PM – 8 PM
Art and Culture Center/Hollywood
1650 Harrison St, Hollywood, Florida 33020
Join us with Curator, Laura Marsh, to tour the All-Media Juried Biennial and The Garden of Yellow & Pink by Oregon-based solo artist, Andrew Nigon. This year’s Biennial explores themes of identity, performance, temporality, and the processes of 62 Florida artists. As an exercise in unity and conflation, Nigon plays upon the Garden of Adam and Eve and the Book of Genesis in the Old Testament. Admission for the talk is $7, and a group from the Northeast will be joining us to share new perspectives.
Nigon’s figurative subjects reference sideshow performers from the early 20th century. His sculptures are created from plastics, foam, resins, as well as other recycled pieces. One can find freedom by observing the interplay of organic and geometric forms. Undoubtedly unique in its environment, both cultural and ecological, The Biennial reflects upon the stereotype that Florida has seen its share of ridicule as the “Punchline State.”
It is also, as Florida cultural critic Dave Barry has argued in his latest publication, the Best. State. Ever. It is difficult not to be influenced by the natural light of Florida, the endless swamps, the precarious rise and fall of sea levels. Indeed, many of the artists exhibited here address the myriad issues of Florida’s landscape – its role as a tourist mecca, and its unique, rich ecologies that are under threat.
Overall, 391 artists representing 85 cities submitted entries for consideration to the Biennial. The exhibition is intended to capture the diverse practices of regional contemporary artists. All participating artists are provided with Center memberships, and we’re honored to host such a vibrant exhibition. Exploring a range of mediums, the Biennial introduces interdisciplinary dialogues.
Enid Blechman (Awarded Best in Show) has created a fictional company called Adipose Industries, aimed at solving ecological catastrophes, and researching the “repurposing of fat as a new source of energy and as a natural ingredient for personal use.” Using humor as an entry point to her explorations of the Everglades and their preservation, Blechman’s abstract paintings depict the research and findings of Adipose Industries. Kate Alboreo is inspired by the struggles of the natural world: the battle scars of bark, the twisted limbs of trees. Her moody, propulsive paintings based on sketches and photographs taken en plein air depict the energies of natural forms, and appear to take on anthropomorphic narratives.
The absurdities of Florida living are at the forefront in Michael Bauman’s work. In his series involving the World’s Smallest Airboat, the artist upends the trope of the intrepid explorer as he traverses the Everglades in a laughably scaled vessel. Sarah Knouse’s Pastoral Flamingos are a nod to the pastel paradise of Florida tourism. Shiny and pink the flamingos appear to melt into the shag carpet they stand on. The baroque pedestal support appears to bolster the idealized image of Florida fauna.
Award winners will be selected for Best in Show: Enid Blechman ($3,000 prize), First Place: Gina Cunningham ($2,000 prize), Second Place: Noel Mason ($1,000 prize), Third Place: Jefreid Lotti ($500 prize), and Honorable Mentions.
Laura Marsh is the current Curator at the Center and designed the Biennial according to conversations between pieces. She previous held the position of Gallery Director and Lecturer of Seton Gallery at the University of New Haven, CT. Marsh earned her MFA in Sculpture at Yale School of Art and her BFA in Painting from Yale School of Art.
Juror Katherine Pill is Curator of Contemporary Art at the Museum of Fine Arts, St. Petersburg, Florida. She previously held the position of Assistant Curator at the Kemper Museum of Contemporary Art in Kansas City, Missouri. Pill earned a BA in Art History from McGill University in Montreal and a dual MA in Art History and Arts Administration from the School of the Art Institute of Chicago.
Giannina Coppiano Dwin