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Sunday, March 26, 2017

Articles

Essays of contemporary art.

Locust Projects Common Field Gentrification debrief

written by Stephen Malagodi In the Allapattah Metrorail elevator going down to the bus stop, an overweight, stubbly Cuban man in one of those "Jesus...

Morning Hood

written by Skip Van Cel I live in a really weird neighborhood. We have multi-million dollar homes that are 2-3 blocks from run down hovels....

Outsider, Outsider Artist: Francisco

by Richard Haden Francisco chose to live in a lot, across the street from me-- On NE 4th Ave above NE 82nd terrace. He cooked...

Of the Responsibility of Intellectuals and Artists in North Miami

written by Babacar Mbow The role of the intellectual in society has long been a concern for progressive forces. For Gramsci "all men and women...

Cultural Migration In Hindsight

written by Richard Haden The Wynwood Arts district is no more. The district needs a new salient attribute, a de-branding to...

Jorge Pantoja | Farside Gallery

written by David Rohn Cuban American artist Jorge Pantoja exhibit at Farside Gallery curated by Ricardo Pau-Llosas represents an expansion on his earlier themes of...

Something, Sincerity and the Rock A mixed media installation by Angela Valella

Review by Lina R Projected colorful shapes must make their way through , not over , small plexiglass panes like hurdles easily surmountable. An acrylic...

curators dilemma

written by Eddie Arroyo There’s a bit of a quandary which is still prevalent within curatorial practice. One that was cited by Anton Vidokle's“Art...

Sea Pollution

written by David Rohn Serendipitously , the serious and timely turn up, just to remind us that the pursuit of happiness, through art, boats, investment...

Does Miami actually care about sea-level rise?

Stephen Malagodi response to Nathaniel Sandler's article on sea level rise Fairly good piece, Nathaniel Sandler, but you never answer the question, Does Miami Care. Answer:...

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