Friday, December 14, 2018

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Reginald O’Neal | Rocking Chair Sessions

Reginald O’Neal was born July 24, 1992 and raised in Overtown, Miami, Florida. He painted his first mural in the summer of 2012 then...

Michelle Weinberg | Rocking Chair Sessions

Michelle Weinberg is a painter who creates art for surfaces, interiors, architecture and public spaces. She received her BFA from School of Visual Arts...

Where Art Meets Sand and Social Behavior

What does it mean to make art collectively? How does art speak to our shared destiny? Where does sand intersect with art and community? In...

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a conversation with Onajide Shabaka

a conversation with Onajide Shabaka

Onajide Shabaka’s art form is a short journey made by walking in the landscape. The evolution of this may be developed as follows: the...
Leo Castaneda

Virtual Constructions

written by David Rohn In case you missed Leo Castaneda’s "Varied Renders" exhibition of paintings and virtual reality constructions at IRL Institute, the...

RACISM OR CLASSICISM? TIS IS THE QUESTION.

text by Melikah Jazz When it comes down to gentrification in the neighborhood, I have noticed that in the Black neighborhood, such as Overtown,...
Locust Projects Common Field Gentrification debrief

Locust Projects Common Field Gentrification debrief

written by Stephen Malagodi In the Allapattah Metrorail elevator going down to the bus stop, an overweight, stubbly Cuban man in one of those "Jesus...
Amy Scaife's protest performance Human Cost at the Tate Britain's Duveen gallery

Reset | The Artful Re-Turn To Affective Activism

Text by Richard Haden At dawn, on November 9th 2016, the majority of the nation woke up from the electroshock of a political...

Re á Semble

text by David Rohn Kathleen Hudspeth's mono-prints, "It Was to Be a Glittering City" at Under the Bridge has a focused iconography, mostly representing the...