THE INSPIRATION
The inspiration for the exhibition is closely tied to Vizcaya’s history, as the property has traditionally been home to commissioned work by contemporary artists. While we know much about the estate’s history, many of Vizcaya’s compelling spaces and stories have disappeared. Lost Spaces will showcase installations in and around the Main House and gardens that aim to bring these lost spaces and stories “back to life.”

Lost Spaces features original installations by eleven contemporary South Florida artists or collaborative teams commissioned through Vizcaya’s Contemporary Arts Program (CAP). The installations all comment on historical elements of the estate, whether physical or narrative, that have been lost to time. The artists presenting their work are Duane Brant, Brookhart Jonquil, Amanda Keeley, Juraj Kojs, Mira Lehr and Yara Travieso, Lucinda Linderman, Kerry Phillips, Leyden Rodriguez-Casanova, David Rohn, Magnus Sigurdarson and Frances Trombly.

AN EXHIBITION IN TWO PHASES
Phase I of Lost Spaces is on view through October 2017 and features projects that relate to Vizcaya’s Moat, Map Racks, Staff Life and Lost Decorated Rooms. Phase II, on view from November 2016 through October 2017, will focus on four recreational spaces and highlight elements of Vizcaya’s original design intent that no longer exist. These include the Casba, South Property, the Casino and Basement Recreational Rooms. The Casba is a small, exotic pavilion that was originally part of Vizcaya’s southern gardens and is now on the grounds of the Archdiocese of Miami.

Phase II
Leyden Rodriguez-Casanova’s piece will create a reference to the Casba that appears as either unfinished or deconstructed, depending on the viewer’s perspective. Mira Lehr and Yara Travieso’s installation will personify Vizcaya as Queen Dido, the first queen of Carthage according to ancient Greek and Roman writers. Their work will be activated through performances, and evoke the exotic wildlife that once existed on the South Property. Kerry Phillips will create an installation for the winding white marble staircase in the Shop and Café area that once served as quick access for Deering and his guests from the East Loggia to the recreational rooms. The project will consist of found furniture installed with a sense of movement suggesting that the pieces are rushing down the stairs. Brookhart Jonquil is developing a piece for the two rooms in the Casino, or small house, on the Garden Mound. This piece will focus on the original fixtures in the rooms, while using architecture and light as a bridge between the physical and immaterial. His work will also speculatively reference the daily activities that might have taken place in those spaces.

Vizcaya Museum & Gardens
3251 South Miami Avenue
Miami, FL 33129