Globally engaged curators introduce IKT, International Association of Curators of Contemporary Art, and talk about themes we’ll explore during the 2019 IKT Congress in Miami. Ground zero for sea level rise, Miami is the ideal context for our conversation on how art and visual culture are changing public perception of today’s climate crisis.
Recorded in the studio of Jolt Radio, on April 10, 2019, during our weekly web streaming radio show.
Voices: (alpha order) Daniela Arriado, Susan Caraballo, T.J. Demos, Julia Draganović, Vanina Saracino
Sound Editor: Anamnesis Audio | Special Audio: Cara Despain, Sea Unseen; Ursula Biemann and Paulo Tavares, Forest Law; Oliver Ressler, Code Rood; Enrique Rámirez, Tidal Pulse; Band of Weeds, Underground Root Movement | Photos courtesy the artists, IKT and IKT Miami
Feature Photo: Cara Despain, Sea Unseen
This episode is supported, in part, by IKT and IKT Miami.
Daniela Arriado is the Director and founder of Screen City Biennial in Stavanger, Norway. Based in Berlin since 2012, she explores new curatorial approaches towards expanded borders of cinematic experiences and the audio-visual through projects concerning urban screens and online streaming platforms for video art.
Susan Caraballo is a Miami-based arts consultant, producer and curator working at the intersection of curating and directing to explore global issues including the ecological crisis and contemporary social conditions. A member of IKT’s Miami constituency, Caraballo organized the symposium for the 2019 Congress around the subject of environmental sustainability and creative resilience.
T.J. Demos is Professor in the Department of the History of Art and Visual Culture, at University of California, Santa Cruz, and Founder and Director of its Center for Creative Ecologies. He writes widely on the intersection of contemporary art, global politics and ecology.
Julia Draganović is a curator whose focus is time based and collaborative art and new artistic strategies. She has curated projects in Germany, Italy, Spain, the USA and Taiwan. Currently Director of Kunsthalle Osnabrück, Germany, Draganović has served as President of IKT since 2014.
Vanina Saracino is an independent curator and film programmer based in Berlin. She is the co-founder of OLHO, an international curatorial project about contemporary art and cinema initiated in 2015 in Rio de Janeiro and São Paulo, also shown at Teatrino di Palazzo Grassi (Venice, 2017) and Palais de Tokyo (Paris, 2018). Saracino is co-curating the 2019 Screen City Biennial.
About IKT: German curators Eberhard Roters, Eddy de Wilde and Harald Szeemann and others founded IKT in 1973, to stimulate and extend debate concerning curating. Convening each year in a different city, IKT brings together curators from around the world, to meet, share knowledge, exchange ideas and broaden their professional networks.
About IKT Miami: A group of twelve Miami-based curators organized a three-day program for IKT’s 2019 Congress in Miami. More than 100 international curators and art professionals participated, along with local curators, cultural producers, artists and other members of Miami’s cultural community. IKT Miami brought international attention to area artists and cultural producers, including those addressing global issues of sustainability and resilience in South Florida. The symposium and five related community events introduced Miami’s rich cultural landscape.
Tags: curators, Daniela Arriado, ecological crisis, ground zero, IKT Congress, IKT Miami, International Association of Curators of Contemporary Art, Julia Draganović, podcast, Screen City Biennial, sea level rise, Susan Caraballo, T.J. Demos, Vanina Saracino
Fresh Art International
Beginning with research, networking, and field recordings, independent curator Cathy Byrd works with a team of creatives to script, direct, produce, publish, and promote a range of perspectives on contemporary art. Fresh Art International models the fresh thinking and positivity essential to building a sustainable professional practice in the field. With her supporters, Byrd has effectively invented a vital new art media platform that offers a globally-informed assessment and a virtual archive of contemporary art and culture.
For more than 20 years, Byrd has engaged in extensive field work, traveling across the U.S., and to Germany, France, Spain, the Netherlands, Portugal and Turkey. To capture the voices you hear in our Fresh Art International podcast series, she records in-person, via Skype and by mobile phone. Fresh Art International features the voices of Claire Tancons, Tania Bruguera, Theaster Gates, Joan Jonas, Jason Moran, Franklin Sirmans, Marinella Senatore, Cesar Cornejo, Antoni Muntadas, Janet Biggs, Valerie Cassel Oliver, Trenton Doyle Hancock, William Pope.L, and many more. Select sounds and photographs illustrate Fresh News and Fresh VUE features on Miami Art Week, São Paulo Biennial, dOCUMENTA, Venice Art Biennial, Istanbul Biennial, Lyon Biennial, SXSW, ARCO Madrid, Armory Arts Week, Frieze New York, Cartagena Biennial, Havana Biennial, and Prospect New Orleans, among other international exhibitions and events.
Notably, each Fresh Art International podcast episode features an introductory text, photo feature and signature sound. All are archived on multiple platforms, and the full series is downloadable for free on iTunes, Stitcher, SoundCloud, Android, Google Music Play, and Public Radio Exchange, where we make our podcast available for public radio broadcast.
Our Global Initiative
Since the launch of this platform, our reach has spanned the U.S., including residencies on Miami Beach, in Baltimore, Newcastle, Austin, Brooklyn, Chicago, and New Orleans. In Europe, we’ve set up shop in Barcelona, Amsterdam, and Berlin. Engaged with the diverse character of creative practitioners globally, we’ve recorded conversations with visual, performance and sound artists, curators, architects, and filmmakers, among other culture makers. We’ve toured exhibitions and art fairs, attended performances, experienced public art and explored architecture. We’ve captured field recordings worldwide in cities and remote sites including São Paulo, Brazil; New York City; Lubbock; Roswell, NM; Marfa; Baltimore; Washington, DC; Madrid; Lisbon; Istanbul; Bergen (Norway); The Hague; Frankfurt, Brooklyn; Providence, Rhode Island; New Orleans; Chicago; Atlanta; Austin, Texas; and Key West, Florida.