In November 2019, Houston-based artist Trenton Doyle Hancock brings his mythological “Moundverse” to Miami. Locust Projects gives over the entire space to his site-specific installation. The artist will immerse us in a world inspired by comic books, toys, horror films and animations.
For decades, Hancock has been telling the story of the Mounds (gentle hybrid plant-like creatures) protected by Torpedo Boy (Hancock’s alter ego), and their enemies, the Vegans (mutants who consume tofu and spill Mound blood every chance they get). In paintings, sculpture, drawings, prints, video and installation, the artist explores good and evil, authority, race and class, moral relativism, politics and religion.

This is not our first encounter with Trenton Doyle Hancock. He was among artists that curator Valerie Cassel Oliver selected for Radical Presence: Black Performance in Contemporary Art. The exhibition premiered in 2013 at the Museum of Contemporary Arts, Houston, and traveled across the United States. In Radical Presence, Cassel Oliver surveyed seminal black performance art. She invited artists into the exhibition to re-stage their performances.

We make our way to Houston to watch Hancock embody one of the characters in the narrative he began creating when he was 10 years old. For an evening performance titled “Devotion,” he becomes a singing Mound. He’s massive. He’s blindfolded. Cassel Oliver feeds him Jell-O. The spectacle is intimate, absurd and deeply spiritual.

The next morning, we wander through the artist’s mind. Our conversation explores the histories, objects and ideas that inform his work. His warehouse is awash in accumulating materials—cast-off toys, books and bottle caps, scraps of felt and fabric, cans of paint. Works in progress and finished collage paintings line the walls. A drum kit sits waiting in one corner. It seems unlikely that this artist will ever lose the desire to experiment and play with the fantastical characters that animate his inner world.

Fresh Art International
Beginning with research, networking, and field recordings, independent curator Cathy Byrd works with a team of creatives to script, direct, produce, publish, and promote a range of perspectives on contemporary art. Fresh Art International models the fresh thinking and positivity essential to building a sustainable professional practice in the field. With her supporters, Byrd has effectively invented a vital new art media platform that offers a globally-informed assessment and a virtual archive of contemporary art and culture.

For more than 20 years, Byrd has engaged in extensive field work, traveling across the U.S., and to Germany, France, Spain, the Netherlands, Portugal and Turkey. To capture the voices you hear in our Fresh Art International podcast series, she records in-person, via Skype and by mobile phone. Fresh Art International features the voices of Claire Tancons, Tania Bruguera, Theaster Gates, Joan Jonas, Jason Moran, Franklin Sirmans, Marinella Senatore, Cesar Cornejo, Antoni Muntadas, Janet Biggs, Valerie Cassel Oliver, Trenton Doyle Hancock, William Pope.L, and many more. Select sounds and photographs illustrate Fresh News and Fresh VUE features on Miami Art Week, São Paulo Biennial, dOCUMENTA, Venice Art Biennial, Istanbul Biennial, Lyon Biennial, SXSW, ARCO Madrid, Armory Arts Week, Frieze New York, Cartagena Biennial, Havana Biennial, and Prospect New Orleans, among other international exhibitions and events.

Notably, each Fresh Art International podcast episode features an introductory text, photo feature and signature sound. All are archived on multiple platforms, and the full series is downloadable for free on iTunes, Stitcher, SoundCloud, Android, Google Music Play, and Public Radio Exchange, where we make our podcast available for public radio broadcast.

Our Global Initiative
Since the launch of this platform, our reach has spanned the U.S., including residencies on Miami Beach, in Baltimore, Newcastle, Austin, Brooklyn, Chicago, and New Orleans. In Europe, we’ve set up shop in Barcelona, Amsterdam, and Berlin. Engaged with the diverse character of creative practitioners globally, we’ve recorded conversations with visual, performance and sound artists, curators, architects, and filmmakers, among other culture makers. We’ve toured exhibitions and art fairs, attended performances, experienced public art and explored architecture. We’ve captured field recordings worldwide in cities and remote sites including São Paulo, Brazil; New York City; Lubbock; Roswell, NM; Marfa; Baltimore; Washington, DC; Madrid; Lisbon; Istanbul; Bergen (Norway); The Hague; Frankfurt, Brooklyn; Providence, Rhode Island; New Orleans; Chicago; Atlanta; Austin, Texas; and Key West, Florida.