Friday, October 18, 2019

Cultural Migration In Hindsight

text by Richard Haden The Wynwood Arts district is no more. The district needs a new salient attribute, a de-branding to...
Amy Scaife's protest performance Human Cost at the Tate Britain's Duveen gallery

Reset | The Artful Re-Turn To Affective Activism

Text by Richard Haden At dawn, on November 9th 2016, the majority of the nation woke up from the electroshock of a political...

Soul Manufacturing Corporation

text by Jessie Aufiery “In the same way that people write off clay as useless, nonessential,” Theaster Gates (the Chicago-based artist on the brink of...
Viktor El-saieh

a conversation with Viktor El-saieh

Eddie Arroyo I thought it would be good to begin with the performance at your opening, "Cat’s Head". Having arrived late, I totally missed out...

how to colonize Miami

text by Eddie Arroyo It has been stated that, “Miami has no culture”.  This is a recent phenomenon.  In full disclosure, I am a Miami...

art, body contact, and improvisation | Jenna Balfe

written by Mandy Martin I think of Jenna Balfe’s class as an art form. In order to create art, all you need is to...

Salon de Notre Société

written by Eddie Arroyo Salon de Notre Société loosely translates to Salon Of Our Company a collection of 400 affordable works of art by 40...

the one percent and everyone else

written by Eddie Arroyo Observing Chris Burden’s gold bullets, I was struck by their elegant power. Lined up in a roll and encased in...
moonlight

a social construct

written by David Rohn Saw the movie MOONLIGHT last night, an unforgettable Miami based story of a very sensitive (Gay) Black kid growing...

Street Art – the bastard of Vandalism

text by Eddie Arroyo People move shoulder to shoulder along Northwest Second Avenue, yelling, drinking, laughing - music deafening perception. This is the Wynwood Arts...